Seoul > ASEAN Hall > ASEAN-Korea Centre

Seoul

The Seoul ASEAN Hall is a dedicated showcase space designed to enhance cultural, tourism, and economic cooperation between ASEAN Member States and the Republic of Korea, while fostering mutual understanding. Located on the first floor of the Korea Press Center, the Hall serves as a vibrant cultural hub, hosting exhibitions as well as ASEAN-related programs such as talks and collaborative exchanges. The Hall comprises a permanent exhibition zone showcasing AKC’s collections and a special exhibition zone that highlights diverse cultural and artistic items from the ten ASEAN countries on a rotating basis. A multimedia corner is also available on-site, offering visitors access to visual materials related to Southeast Asia and Korea.

Seoul ASEAN Hall info
*· Location*	1F, Korea Press Center, 124 Sejong-daero, Jung-gu, Seoul
*· Inquiry*	SeoulAH@aseankorea.org

[Current Exhibition] ASEAN Panorama 2026 (ASEAN Product Exhibition) The ASEAN Panorama builds on the AKC's annual ASEAN Trade Fair series, held since 2014, significantly expanded in scale and scope to support ASEAN Micro, Small, and Medium-sized Enterprises (MSMEs) in entering the Korean market and to promote industrial exchange between ASEAN and Korea.
The exhibition will feature all 10 ASEAN Member States, participating in pairs under different monthly themes throughout the program. Beginning with Brunei Darussalam and Indonesia in May, the exhibition series will continue with Cambodia and Malaysia in June, Lao PDR and the Philippines in July, Myanmar and Thailand in August, and Singapore and Vietnam in September.

[Past Exhibition] Inaugural Exhibition: “Fruity Fruit - Colorful Days in Southeast Asia” To mark its opening, the Seoul ASEAN Hall is hosting an inaugural exhibition Fruity Fruit - Colorful Days in Southeast Asia, which offers a sensory journey into Southeast Asia's everyday life and art through the lens of tropical fruit. Featuring items from the ASEAN-Korea Centre's collections, donations from the ASEAN embassies, and works on loan from international institutions, the exhibition will run until 13 February 2026.

ASEAN-Korea Centre Collection

Contact Us If you have any questions about the Seoul ASEAN Hall, feel free to reach out. We will reply to the email address you provide.

Jeju

The Jeju ASEAN Hall is an exhibition space located in the Jeju International Peace Centre. Launched in 2022, The Jeju ASEAN Hall gives an opportunity to experience the cultures of ASEAN and Jeju Island to strengthen mutual understanding and people-to-people exchange between the peoples of ASEAN and Korea. Visitors can enjoy the harmonious display of craftwork and artifacts from ASEAN member states and the Jeju region.

Jeju ASEAN Hall
*· Opening Hours*	Mon.-Fri. 09:00-18:00 (Closed on second and fourth Mondays of each month, January 1st, the day before and of Lunar New Year and Chuseok)
*· Location*	B1 Jeju International Peace Center, 227-24 Jungmungwangwang-ro, Seogwipo-si, Jeju-do
*· Contact*	ASEAN-Korea Centre 82-2-2287-1115 / www.aseankorea.org International Peace Center Jeju 82-64-735-6550 / www.jpceju.com

Exhibition Items

Exhibition Item

서울Blue Flower-pattern Vase

Blue Flower-pattern Vase

Blue Flower-pattern Vase

This set of vases is from Gom Le - a ceramic brand located in the Bat Trang pottery village in Hanoi, Viet Nam. Each vase in the collection is a unique picture, telling a story of its own. Displaying the coolness of water, the blue color represents the feeling of peace and freshness. The crystallized enamel decorated on the blue background creates a sparkling flower pattern that resembles pearly blossoms floating on water. Skilled artisans craft each vase, and the density of the flower pattern depends on the reaction of the crystallized enamel to the temperature during the burning process, creating a unique flower pattern in each vase.

Exhibition Item

제주Batik with Parang Motif

Fabric

Batik with Parang Motif

Batik with Parang Motif

Batik is a traditional fabric dyeing method used to create intricate designs. Indonesia's Java region has the longest history of using this technique. The word 'batik' originally comes from the Java word 'mbatik', meaning 'spotted or stained cloth'. Beginning in western Java, central Java, Yogyakarta, and eastern Java, the batik of Indonesia has developed into a refined form in Java and elsewhere since the early 19th century. One of the unique batik motifs in Yogyakarta is the Parang batik motif. The Parang motif appears in various forms, usually depicting a narrow length and almost sharp edge just like sword. In ancient times, this motif only could be used only by kings and royal knights.

Exhibition Item

서울Spotted Nonya Porcelain Vessel

Spotted Nonya Porcelain Vessel

Spotted Nonya Porcelain Vessel

Created by three-time winner of the Singaporean President’s Design Award, Hans Tan, Spotted Nyonya is an industrial reinterpretation of Nyonya porcelain vessels, which are traditional domestic wares native to Peranakans in Southeast Asia. This contemporary take on traditional objects transforms the original multicolored surface into a new dotted pattern, using a technique similar in concept to the resist-dyeing technique often applied to dye fabric patterns. The porcelain pieces are masked with the new dotted motif, which is then sandblasted so that the areas protected are preserved, while the original glaze sections from exposed areas are erased, revealing the underlying white porcelain.

Exhibition Item

제주Batik Tapestry

Textile fabric
Embassy of Brunei Darussalam

Batik Tapestry

Batik Tapestry

Batik is a textile dyeing method, where beeswax is applied selectively onto the fabric that “resists” certain parts from being coloured, enabling other areas to soak up colour dyes. The wax is then removed in boiling water, and the process is then repeated to create different colours and intricate patterns – whose motifs often represent the producing area’s cultural heritage, including flora and fauna.

Exhibition Item

서울Silverware

Silverware

Silverware

The single basket is a version of a pole basket, an instrument hawkers and peddlers use to store the food they sell. Thip Khao is a container adequate for controlling humidity to keep sticky rice fresh. Bamboo is a more commonly used material to produce these baskets as it is readily available. These baskets, in particular, are silver handicrafts made with sterling silver as decor items. The thin strands of silver are created through labor-intensive methods and require precision and detail from an experienced craftsman: sifting through silver grains for pure silver, casting heat for density, and milling them into long and thin straps for weaving.

Exhibition Item

서울Khmer Brass Bowl

Khmer Brass Bowl

Khmer Brass Bowl

Inspired by the carving from the Bayon Temple that describes the lives of the people in the Angkorian period, this copper bowl is crafted by Van Sokha and sculpted by his wife Van Sokunthea, succeeding the master craftsman Vann Libo. The bowl is made of pure copper and painted with black lacquer. Since ancient times, Khmer people have used the plate to store rice, water, and money during religious ceremonies, festivals, and weddings in the Khmer tradition. In the present day, it is displayed as a home decoration that symbolizes the Cambodian history of art, cultural richness, and dignity.

Exhibition Item

서울The replica of Anantanagaraj Royal Barge

Royal Thai Embassy

The replica of Anantanagaraj Royal Barge

The replica of Anantanagaraj Royal Barge

The Anantanagaraj Royal Barge is one of the four main Royal Barges in the Royal Barge Procession of Thailand. The original Anantanagaraj Royal barge was first built in the reign of King Rama III and was rebuilt in the reign of King Rama VI and launched in April 1914. In Sanskrit, Ananta means infinity or eternity, Naga means Naga or Snake, and Raja means a royal or a king. So, Ananta Nagaraj means the King of Nagas or Snakes. The most outstanding feature of the Anantanagaraj is the bow which is carved into a seven-headed naga, gilded lacquer and decorated with mirrored glass ornaments. The hull was painted green outside and red inside

Exhibition Item

서울Skor Thom

Skor Thom

Skor Thom

This is the traditional drum called Skor Thom used in the traditional Cambodian music orchestra. Like other traditional musical instruments, it is made of hard but elastic light-weight wood to produce high notes. The plates on both sides are covered with cow or buffalo leather and finished with coconut oil. Unlike other drums, the Skor Thom is played by striking the plates with two wooden sticks. The Skor Thom symbolizes the sound of thunder, and when performing traditional dance tunes, the dancers are supposed to move along the drum’s rhythm. As such, when performing in orchestra, Skor Thom and Samphos are placed in front of the entire ensemble.

Exhibition Item

서울Tongkonan, Traditional House of the Torajan people

Tongkonan, Traditional House of the Torajan people

Tongkonan, Traditional House of the Torajan people

This is a miniature model of 'Tongkonan', a traditional house of the Toraja people in South Sulawesi. The huge V-shaped roof soaring upwards symbolizes the microcosm of the Toraja people. According to the Toraja mythology, the first Tongkonan was built by its creator, Puang Matua. It is said that only nobles had the right to build Tongkonan in the beginning, because, understandably, the cost of building Tongkonan would be far higher than that of the regular house. Toraja society was a strictly hierarchical society and the residents could decorate their houses within their status. The gables and exterior walls of Tongkonan are decorated with wood painted in red, black, and yellow colors, usually with indigenous patterns printed on them. The decorative sculptures express the residents’ desire for prosperity and fertility. The circle symbolizes the sun, a symbol of power, and the golden kris symbolizes wealth. All in all, the size of the house, decorative sculptures, and emblems reveal the social status of the owner's family.

Exhibition Item

제주Long Tray

Long Tray

Long Tray

This tray is made of banana leaf and was created by local Malaysian craftspeople who sell their wares through Karyaneka, an agency under Malaysia's Ministry of Tourism, Arts and Culture which functions as one-stop centre for authentic, high-quality local crafts from artisans in Malaysia. Karyaneka celebrates the rich heritage of Malaysian craftsmanship, working to uplift local craftspeople and celebrate Malaysia's cultural history.

Exhibition Item

서울Daim Nyias Hmong Baby Carrier

Daim Nyias Hmong Baby Carrier

Daim Nyias Hmong Baby Carrier

It is a baby carrier used by the Hmong, one of the minorities living in the highlands of Laos. It is a handicraft made with a strong contrast between black and red colors which is common among the Hmong people, and is decorated in various ways including embroidery, applique, and reverse applique. The Hmong baby slings are used to carry babies and young children, and people believe that it protects babies and children from physical and mental harm. It shows the Hmong people’s sense of responsibility especially in taking care of children in the family and society.

Exhibition Item

제주Angkulung

Angkulung

Angkulung

The Ankulung is a traditional Indonesian instrument made by binding bamboo tubes to a bamboo frame with rattan cords. It is played by tapping or shaking the tubes, which are whittled to produce specific notes or chords. The Angkulung is closely related to Indonesian cultural identity and is played during traditional ceremonies. The Angkulung was added to the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2010.

Exhibition Item

서울Hsun Ouk Lacquerware

Hsun Ouk Lacquerware

Hsun Ouk Lacquerware

This is a lacquered offering vessel called Hsun Ouk used by the Intha people of the Shan State in Myanmar. The main skeleton of Hsun Ouk is made of bamboo bark, and the vessel is coated and decorated. It was used for offering food to the Buddhist altar. Black lacquer is applied inside and outside of the vessel, and then red lacquer is applied again. The lid imitates the shape of the upper part of the pagoda. It is said that the characteristics of Myanmar culture are best reflected in the Hsun Ouk produced during the Konbaung dynasty, the last dynasty of Myanmar.

Exhibition Item

제주Gom Le Vase

Blue Flower-pattern Vase

Gom Le Vase

Exhibition Item

제주Buri Palm Baskets

Buri Palm Baskets

Buri Palm Baskets

The Buri Metro collection is a handwoven product line made of buri palm leaves, a versatile resource with multifaceted utility in daily life, medicine, and religious practices. Buri leaves are sliced into strips, sun-dried until light brown, and dyed with natural fabric dye to create the clean lines and black shade seen in the Buri Metro collection. The design of the baskets depict the urban structures and geography of Negros Island, Philippines, while retaining the warmth of the natural buri. Handmade and locally designed by female artisan weavers from the island community, all Hacienda Crafts products seamlessly integrate into modern interiors, celebrating timeless Filipino craftsmanship.

Exhibition Item

서울Lion Dance Mask and Cover Miniature

Lion Dance Mask and Cover Miniature

Lion Dance Mask and Cover Miniature

This is a miniature lion mask and cover used in the lion dance. In Singapore, a lion dance contest is held every year around Lunar New Year’s Day. A black lion mask and cover like this miniature are usually worn by the new Lion Dance troupes. Singapore's two-person lion dance seems to be similar to the Korean “Bukcheong Sajanoreum”, but the Singaporean lion dance is more circus-style as it showcases various aerial stunts. Like the Chinese lion dance, Singapore's lion dance is an independent art form and has more entertaining elements than that of Korea. Various stunts are performed in Singapore’s lion dance, such as a lion standing upright in the air, flipping, or twisting the body upside down from a high place. The dance has been practiced as part of a shamanistic ritual for thousands of years and is believed to help repel evil spirits and grant people's wishes.

Exhibition Item

제주Anjat Mening Baskets

Anjat Mening Baskets

Anjat Mening Baskets

Anjat Mening is a handwoven and naturally dyed basket made of thin strips of rattan - a pliable and durable material sourced locally. Once used as a backpack to carry goods and tools for hunting, Anjat Mening is now used to carry everyday items, such as clothes and food, or as a decorative item to bring a touch of nature into the home. This ethically sourced basket is crafted by an Indonesian social enterprise, Handep, and is woven by different indigenous weavers who lost their livelihoods from deforestation. The traditional patterns on the Anjat Mening are created by weaving together strands of undyed rattan with naturally dyed strands that get their colors from soil, leaves, and roots.

Exhibition Item

서울Hun Krabok Thai Marionettes

Hun Krabok Thai Marionettes

Hun Krabok Thai Marionettes

Hun Krabok is a traditional Thai stick puppet that appeared around 1893. It is a Thai figure, wearing a long red and green dress and wearing a high golden crown. The puppets are used in the northern provinces of Sukhothai, Uttarradit, and Nakhon Sawan, and are also used to refer to the puppet theater itself. There are four types: Hun Luang, Hun Wang Na, Hun Krabok, and Hun Lakhon Lek. Because the puppet show requires a stage, a background, a curtain, and a puppeteer who manipulates the puppets and leads the play, as well as musicians and singers, it is rare today.

Exhibition Item

제주Pewter tray (Loyfar Collection)

Silver, Copper
Royal Thai Embassy

Pewter tray (Loyfar Collection)

Pewter tray (Loyfar Collection)

The pewter tray from a Thai company called Loyfar Collection from Chiang Mai Province of Thailand. Loyfar pewter pieces are hand-crafted and made from high quality tin combined with silver and copper and are aimed to present creative designs, delicate artistic beauty and quality craftmanship.

Exhibition Item

서울Bamboo Vase and Bowl

Bamboo Vase and Bowl

Bamboo Vase and Bowl

These are flower vase and bowls made with woven bamboo threads and then lacquered. The exterior of the vase and bowls are painted in bright orange. Whereas the inside of the vase is colored green, the inside of the bowl is left in the color of bamboo flesh, creating a natural color contrast in both items. Vietnamese people have made various crafts utilizing quality materials obtained from nature. Viet Nam’s climate is perfect for bamboo growing, and thus a variety of bamboo crafts have been created. There are about 2,800 special craft villages in Viet Nam where artisans specializing in specific materials such as ceramics, wood, and metal live in groups. Among the craft villages concentrated in the northern part of Hanoi, Canh Hoach village is renowned for its bamboo crafts.

Exhibition Item

제주Tudung Dulang

Rattan
Donated by the Embassy of Brunei Darussalam

Tudung Dulang

Tudung Dulang

Having originated from the Kampong Ayer (water village), Tudung Dulang is Brunei Darussalam's traditional food covering, made by weaving Nipah palm leaves and rattan. Tudung Dulang continues to be used as plate covers for those who adhere to the traditional lifestyle, but for the people who live in a more modern setting, the object has evolved into a decorative hanging for walls.

Exhibition Item

서울Flora Bowl with Base

Flora Bowl with Base

Flora Bowl with Base

This is a yellow flower vase in the shape of an inverted triangle with a wide top and a narrow bottom. The upper part is spread out in the shape of a flower blooming as if it is ready to welcome a butterfly folding its wings. Orange-colored stripes are added at regular intervals around the vase, bringing out a modern sense of aesthetic.

Exhibition Item

제주Copper Jar Handmade

Copper
Donated by the Royal Embassy of Cambodia

Copper Jar Handmade

Copper Jar Handmade

Handmade copper jar with carved drawings of the Khmer Civilization This wooden sculpture portrays the Apsara Dance, a traditional dance of the Kingdom of Cambodia which dates back to the 7th century. In 2003, the Royal Ballet of Cambodia which practices this art was proclaimed a Masterpiece of the Oral and Intangible Heritage of Humanity by UNESCO, and in 2008 it was enlisted as an Intangible Cultural Heritage of Humanity. Apsara figures can be found adorning the walls of Angkor Wat and many other temples. Apsara dances are performed during ceremonial functions as a symbolic blessing from the Heaven.

Exhibition Item

제주Pendant Lamp

Plastic (zippers)
Ong Cen Kuang Studio (Budiman Ong)

Pendant Lamp

Pendant Lamp

Handmade lighting combining the traditional and modern Budiman Ong, the founder of Ong Cen Kuang, trained in Gray’s School of Art at the Robert Gordon University in Scotland. His design reflects elements of both his Asian heritage and western aesthetics. With a passion to explore various materials and modern designs, Ong created his studio Ong Cen Kuang in 2008. His Bali-based Studio creates original, hand-crafted lighting that lets the unique materials speak for themselves. They seek to create timeless and innovative pieces fusing traditional craft and modern elements, which result in products filled with stories and soul.

Exhibition Item

제주Green Silk Textile

Silk
Lao Textiles (Carol Cassidy)

Green Silk Textile

Green Silk Textile

Laotian shawl This light mint-colored silk fabric embroidered with a wide pattern in white color at the bottom is from Lao Textiles, a brand by Carol Cassidy. In this piece, the patterns of Lao traditional fabrics underwent a modern transformation, making the textile look elegant and sophisticated.

Exhibition Item

서울Kain Tenunan

Kain Tenunan

Kain Tenunan

One of Brunei Darussalam’s traditional handicrafts, Kain Tenunan Brunei is decorated with flower motifs and skirtings of various patterns, which are embroidered with fabric, gold, or silver threads handmade from cotton or silk yarn. Each motif features a geometric and symmetrical floral pattern. Of all the Kain Tenunan Brunei designs, the intricate Kain Silubang Bangsi is the most expensive and takes the longest time to produce. Lubang means ‘hole’ and Bangsi means ‘to fill in’, hinting that empty holes are filled in with various colors for more intricacy of the fabric. Kain Tenunan is used to make formal attires worn at religious events or royal events and is often given as gifts at special events.

Exhibition Item

제주Bakelalan Reed Covers and Bark Covered Box

Reed, palm, bark
EON Company (Edric Ong)

Bakelalan Reed Covers and Bark Covered Box

Bakelalan Reed Covers and Bark Covered Box

Covers and containers made of bark and reed These are traditional conical double-layer covers made of reed and palm that were crafted in the Bakelalan Highlands of Sarawak. The design is beautifully enhanced with stitching patterns while the colors are derived from the rainforest around the village such as 'waar birar' vines for the yellow and 'skali' for lavender. The covers, combined with a round bark container, tranforms into a box for storing food or other utilities such as letters and keys. This product made by Edric Ong, an Malaysian architect-designer, has been awarded UNESCO-ASEAN Crafts Seal of Excellence.

Exhibition Item

서울Roneat Aek

Roneat Aek

Roneat Aek

The Roneat Aek is a xylophone-shaped instrument used in traditional Cambodian music. It is a boat-shaped percussion consisting of twenty-one bamboo woodblocks. The bamboo keys connected with two strings are tied to the two thick woodblocks on both ends. It is played by striking the wooden keyboard with two mallets. The Roneat Aek is similar to the Thai xylophone Ranat Ek, and the Myanmar bamboo xylophone Pattala. There are four types of Roneat, and among them, Roneat Aek is a leading instrument. The Khmer word "Roneat" is presumed to be derived from the Sanskrit word “raghuna thavina”, and the term is believed to be first created with the introduction of Indian music to the Funan Kingdom. Roneat Aek is also painted on the walls of Angkor Wat and is assumed that it was played along with gongs, drums, and flutes in an ensemble.

Exhibition Item

제주Lacquer Bowl

Bamboo

Lacquer Bowl

Lacquer Bowl

Vessel for presenting food to a monastery (Left) This is a lacquerware offering vessel used in the temples. It looks similar to Hsun Ouk, but it does not have the middle part consisting of a round body and stacks shaped in a pointed tower, so it should be a simple bowl for offerings. After painting a container made of bamboo in black color, repetitive patterns are drawn in pale purple close to pink, and ivory dots are added to highlight. It gives a sense of the diversity in the social and cultural values of Myanmar lacquer crafts. (Right) This is a lacquer bowl in the shape of Hsun Ouk. Hsun Ouk is a traditional Buddhist offering vessel and seems to have taken its basic shape from a stupa in India. It is developed as lacquerware in Myanmar where the history of lacquer craft is long. There are two types of lacquerware: one painted with black lacquer first and then re-painted with a color close to orange, creating a natural pattern, and the other painted with black lacquer first and then added patterns by drawing on the lacquered surface. The complex but standardized patterns inform that there should have been a division of labor in the production of lacquerware.

Exhibition Item

서울Tro Sau Thom

Tro Sau Thom

Tro Sau Thom

The Tro Sau Thom is a traditional Cambodian string instrument played with a bow. It looks similar to Thai Saw U or Chinese Erhu, but Tro Sau Thom is made of wood rather than animal skins. The neck of the Tro is made of wood like Kranhung or Neang Nuon or black wood. The neck part is 800mm long, and the end parts are made of decorated bone or ivory. There are two wooden tuning pegs, one is 190mm long and the other is 180mm. Tro's bow is shaped like a bow used by an archer. Bows are made from fibers from horsehair or sugar palm leaves, but synthetic fibers are also used in modern times. The soundbox of Tro is made of snakeskin or pangolin leather heads, and the straps are made of silk.

Exhibition Item

제주Fabric Wall Hanging

Upcycled paper
Masaeco

Fabric Wall Hanging

Fabric Wall Hanging

Wall hanging made of paper MASAECO is a brand that produces interior design products using eco-friendly and sustainable materials. The products are designed by highly skilled paper artisans in the Philippines who have adopted and refined the traditional Washi handmade paper techniques of Japan. Products are made using a variety of natural and upcycled materials such as carton scraps, old newspaper, and agricultural waste.

Exhibition Item

서울Three Asparas On Lotus Lacquer Art Panel

Three Asparas On Lotus Lacquer Art Panel

Three Asparas On Lotus Lacquer Art Panel

The Apsara dancing on the lotus is expressed in gold color on a black lacquered frame. Lacquerware using lacquer tree sap is a traditional craft unique to Asia. Usually, wood is lacquered and then carved or painted. Apsaras posing for dance on the lotus flower to symbolize innocence and divine birth are modeled after the images in the reliefs of Angkor Wat. In Buddhism, gold symbolizes fire and the sun and is considered the most valuable of all metals. The black background symbolizes the primitive darkness in which the world slows down until the darkness gradually fades. Apsara dance is also called 'Khmer Royal Ballet' or 'Cambodian Court Dance' as it is a dance performed at the royal palace.

Exhibition Item

제주“Dazzling Singapore” Silk Scarf

Silk
Onlewo

“Dazzling Singapore” Silk Scarf

“Dazzling Singapore” Silk Scarf

“Dazzling Singapore” Silk Scarf Singapore’s pre-eminence as a sophisticated world city with a dazzling flora diversity is the culmination of its founding fathers’ vision, city planners’ leadership and creativity of industry talents. This special scarf edition is inspired by the theme and unique architectural feature of the Singapore Pavilion at Expo 2020. The leafy cone silhouette reflects the rainforest, city and flower cones found at the heart of the Singapore Pavilion. Hand-sketched native plants, including Singapore Kopsia, Dillenia excelsa, Hanguana Triangulata and others, represent the abundance of plant species enveloping these conical spaces at the Pavilion. At the heart of this design, the dash of white flowers in the shape of Singapore signifies the country's wholehearted belief in a timeless garden city for all.

Exhibition Item

서울Angkor Wat Silver Plaque Wall Plate

Angkor Wat Silver Plaque Wall Plate

Angkor Wat Silver Plaque Wall Plate

Cambodian silversmithing started to develop stably with the support of the royal family around the eleventh century and flourished until the early twentieth century. Even in the heyday of the Khmer Empire, silver was highly valued, and thus silversmiths received much recognition. Today, craftsmen from the floating village in Kampong Luong District, Kandal Province are known for passing on traditional craftsmanship. Modern silverware can be found in various markets and shops in Phnom Penh, Siem Reap, and Sihanoukville. The center of the oval flower-shaped plaque is filled with the image of Angkor Wat. It depicts the temple building seen from the front entrance. In actuality, the railing with the seven-headed naga is not visible from the front. The image of Angkor ruins in this plaque is modified to impress the tourists.

Exhibition Item

제주Benjarong

Ceramic
Donated by Royal Thai Embassy

Benjarong

Benjarong

Bowls and plate of traditional Thai porcelain Benjarong is a traditional form of Thai porcelain, identified by its style of multi-colored enamels on a white porcelain base. The name is derived from Bali and Sanskrit words which translate to ‘five colors’. This technique can be traced back to Ayutthaya and Rattanakosin periods from the 18th to 19th century. The porcelains remain as popular handicrafts for house decorations and valuable gifts

Exhibition Item

제주Jeju Onggi

Jeju Clay
Donated by Jeju Special Self-Governing Province

Jeju Onggi

Jeju Onggi

Jeju's traditional earthenware The Jeju Onggi is a traditional form of earthenware that is created with the island's volcanic soil without using any artificial glaze. The ceramics share a long history with the common people of Jeju and has been traditionally used to carry water or store various crop seeds. The Onggi has adapted to the practical needs of the modern world and is now mainly being used as kitchenware, such as tea cups or food containers.

Exhibition Item

서울Balinese Legong Dancer Wooden Sculptures

Balinese Legong Dancer Wooden Sculptures

Balinese Legong Dancer Wooden Sculptures

These are miniature sculptures of Legong Kraton, an Indonesian Balinese dancer, made out of solid wood. The traditional costumes of the dancers, elegantly knotted hairstyles, various accessories, as well as movements of arms and legs, are delicately carved. The wood surface is waxed to enhance its color and texture and to increase its durability. This statue depicts a female dancer wearing colorful ornaments and standing on a lotus table like a dancing angel. Delicate and intricately adorned with gold crown-like headdresses and gold attire, the entire sculpture looks majestic.

Exhibition Item

서울Toraja Pattern Wooden Jar

Toraja Pattern Wooden Jar

Toraja Pattern Wooden Jar

This is a wooden container with a pattern unique to the Toraja people living in the mountainous areas of Sulawesi, southern Indonesia. The Toraja have an advanced carpentry culture. Toraja has its own language but does not have a writing system. In the Toraja language, “Passuara” refers to woodcarving which contains social and religious concepts. As can be seen in these crafts, the Toraja decorates the woodworks in red, white, yellow, and black colors when preparing for the indigenous rituals and festivals called “Aluk To Dolo”. Black color represents death and darkness; yellow symbolizes divine blessing and power; white means flesh and bones or innocence, and red represents human life. These woodcrafts show the Toraja people's sense of beauty, especially through their colors and patterns.

Exhibition Item

서울Jade Candle Holder, Case, and Saucers

Jade Candle Holder, Case, and Saucers

Jade Candle Holder, Case, and Saucers

This is a candle holder and various bowls and plates made of Indonesian jade. Jade is found all over the world, including Indonesia, Myanmar, and Turkey; in Indonesia, it is found in western and northern Sumatra and Aceh. Due to its hardness, jade is very difficult to cut and shape. These candlesticks and bowls are cut and trimmed in a simple shape that goes well with the natural color of the jade, making them suitable for daily usage.

Exhibition Item

제주Apsara Dance Wooden Sculpture

Wood
Donated by Royal Embassy of Cambodia

Apsara Dance Wooden Sculpture

Apsara Dance Wooden Sculpture

Wooden sculpture of traditional Khmer dance This is a Khmer sculpture that describes the daily life and activities of the people during the Angkor period, including agriculture, trade, and culture of the ancient civilization of the Khmer Empire, a strong empire in the 12th century. The identical sculpture can be found on the walls of Angkor Wat and many other temples. This is a type of Khmer's authentic art pieces adorned by the curvation of flowers, leaves, and vines which existed since the Khmer Empire.

Exhibition Item

서울Wayang Golek

Wayang Golek

Wayang Golek

This is a female Wayang Golek wearing a purple batik kebaya (traditional upper garment), traditional hat, and earrings. Wayang Golek is a traditional puppet show performed in West Java, Indonesia, and is sometimes called the Sundanese puppet show as it is popular in the Sunda region. Wayang Golek puppet has movable joints in the arms, waist, and neck that demonstrate skilled craftsmanship.

Exhibition Item

제주Wayang Kulit

Leather

Wayang Kulit

Wayang Kulit

Traditional shadow puppets Wayang is an ancient form of storytelling originating from the Indonesian island of Java. ‘Wayang Kulit’ is a traditional form of puppet-shadow play where the puppets are made from flat leather and are projected in front of a screen lit from behind. The puppets illustrate stories of characters from indigenous myths and Indonesian epics. Wayang Puppet Theater was inscribed as an Intangible Cultural Heritage of Humanity by UNESCO in 2008.

Exhibition Item

서울Lurik

Lurik

Lurik

Lurik is a traditional Indonesian fabric made of cotton. Like its name which means lines or stripes in the old Javanese language, the lurik fabric is only patterned with lines. And to do that, weavers must go through a complex process of setting up over 2,700 individual threads on a peddle loom. Lurik, which was traditionally only used by royals for ceremonies in the past, is now transformed into trendy outfits for daily wears. Today, young Indonesian fashion designers such as Lulu Lutfi Labibi are taking the lead in re-creating the traditional fabric in modern fashion.

Exhibition Item

제주Handmade Hmong Fabrics

Fabric

Handmade Hmong Fabrics

Handmade Hmong Fabrics

Hmong fabric coasters and pouch (Left) This is a pouch decorated with the motif of a snail (Wab qwi) unique to the Hmong people. The snail pattern was woven repetitively in light apricots and light grays on the deep crimson-colored background. To the Hmong, the snail means family. It is said that Hmong women communicated through the patterns resembling text on their skirts when the Hmong was forbidden to use their own letters in ancient times. (Right) This is a handicraft for the kitchen decorated with dark purple and orange colors unique to the Hmong people. The pattern is embroidered with traditional applique and reverse applique techniques, and is made to be used in a modern kitchen.

Exhibition Item

제주Roshfin Keramik Set

Ceramic
Roshfin Keramik

Roshfin Keramik Set

Roshfin Keramik Set

Roshfin Keramik Set This teapot and teacup set is made by Roshfin Keramik, a ceramic craft manufacturing and sales company based in Kuala Lumpur. The brand Roshfin began producing modernized traditional crafts of Malaysia and Asia in 2010. The pictures on the white porcelain pot and cups look like they are drawn with a black pen, and provides a salient color contrast. Bamboo is used to cover the handle of the pot, giving it a natural feel. Roshfin Keramik has attracted attention for its production of original designs that help revive Malaysia's heritage through a modern interpretation.

Exhibition Item

서울Pouch in Traditional Hmong Motif

Pouch in Traditional Hmong Motif

Pouch in Traditional Hmong Motif

This is a Hmong people’s pouch decorated with a traditional pattern created through the deep crimson appliqués on a white background. The decoration method and pattern on the pouch followed the Hmong people’s tradition, but a zipper on the top is added to make it more suitable for modern-day use.

Exhibition Item

제주Saung Gauk Miniature

Wood and plastic
Golden Harp Myanmar Handicrafts

Saung Gauk Miniature

Saung Gauk Miniature

Traditional harp made of wood The Saung Gauk is a boat-shaped harp with a long arching arm that is known to be the oldest musical instrument of Myanmar. The Saung Gauk is a traditional string instrument for the chamber music of the Myanmar Royal Court and national ceremonies.

Exhibition Item

서울Woven Rattan Pedestal Bowl

Woven Rattan Pedestal Bowl

Woven Rattan Pedestal Bowl

This Rattan Pedestal Bowl is a Lao handcraft, but the same Pedestal Bowl may be found in a variety of materials and patterns, including pure silver and bronze with etched Lao antique patterns. This object is manufactured for a wide range of purposes, most notably among Buddhists for Altar Offering, Alms Giving, and Worship at Buddhist temples. Furthermore, this can function as a typical home decor.

Exhibition Item

제주Peranakan Nonya Ware

Ceramic
National Museum and Peranakan Museum of Singapore

Peranakan Nonya Ware

Peranakan Nonya Ware

Porcelain used by Peranakan People Peranakans are people who trace their lineage to foreign traders and migrants from China and India who settled in Singapore, Malacca and other parts of Southeast Asia and inter-married with the local groups since the 15th century. Peranakan women are known as Nonya and the porcelain ware they use is called Nonya Ware. The collection here includes a Peranakan lady’s ceramic box used to store cosmetic powder, a tiffin carrier for food and a food pot. The Peranankan culture is one of the key representations of Singapore’s multicultural heritage.

Exhibition Item

서울Lao Silk

Lao Silk

Lao Silk

Laotian mulberry silk is made from silkworms that only eat mulberry leaves. The production process is kept within the village community so that it utilizes local resources and brings a positive impact to the local community. A local brand that well embodies these values is Mulberries, a silk-weaving company founded in 1993 by Nobel Peace Prize nominee Kommaly Chanthavong. The brand emphasizes environmental sustainability and promotes women’s right to a stable income.

Exhibition Item

제주Rock-a-Bye Furniture

Water hyacinth and fiberglass
Crafactor Co. Ltd. (Paiwate Wangbon)

Rock-a-Bye Furniture

Rock-a-Bye Furniture

A bench made from water hyacinth and fiberglass Inspired by a traditional log wood pillow, the 'Rock-a-bye' bench is a sculptural work of art that also serves as practical furniture. The smooth expression of its form and the sense of relaxation associated with a traditional pillow provides contentment for any user. The two pieces of fiberglass woven together and the tightly coiled braids of water hyacinth enhance the uniqueness of this item.

Exhibition Item

서울Table Vase Twigs

Table Vase Twigs

Table Vase Twigs

It is a modern ceramic work decorated with tree branch designs. After roughing the surface and engraving tall, thin, leafless tree branches, a thick layer of green and blue glaze is applied before baking. The vase is made by Tenmoku Pottery, which is established in 1989. It has grown into a leading company in the ceramics industry in Malaysia. Tenmoku Pottery produces a wide range of products, including home interior products, tableware, and decorative ceramics. The company prefers to mold the ceramics by hand rather than the machine to create unique designs. It is famous for crafting items inspired by natural motifs such as animals and plants.

Exhibition Item

제주Chu Dau Pottery

Ceramic
Donated by Viet Nam National Administration of Touism, Minitry of Culture, Sports and Tourism

Chu Dau Pottery

Chu Dau Pottery

Ancient high-class pottery The Chu Dau Pottery Village located in Hai Duong Province of Viet Nam was formed in the 12th - 12th century and attained prosperity between the 15th and 16th centuries. The typical features of Chu Dau ceramics are shown in its pattern. glaze color and the sophisticated motifs expressing Viet Nam's cultural identity, philosophy, and ways of life.

Exhibition Item

제주Jeju Persimmon-Dyed Cloth

Jeju Persimmon Juice
Donated by Jeju Special Self-Governing Province

Jeju Persimmon-Dyed Cloth

Jeju Persimmon-Dyed Cloth

Fabric dyed with the juice of local persimmons The natural dye techniques of Jeju involve using the juice of unripe persimmons. Products dyed with persimmon juice are known for their sturdiness and breathability while also being waterproof. Hence they are used to make work uniforms or fishing nets. Moreover, the dyed fabric has even been used to fortify sails on boats. In the modern setting, the specially dyed fabrics are used in fashion for hats, scarves and other accessories.

Exhibition Item

서울Royal Selangor Pewter Set

Royal Selangor Pewter Set

Royal Selangor Pewter Set

This is a set of various containers made of tin by Royal Selangor. Founded in 1885, Royal Selangor, Malaysia's largest tin producer, boasts a global reputation. The Songket pattern on the top and bottom of the container shown here is called Bunga Cengkih, meaning clove in Malay. The pattern where the solid lines repeatedly cross or enlarge gives a lively feeling to the simple shape of these tin containers.

Exhibition Item

서울Four Seasons Tea Caddy

Four Seasons Tea Caddy

Four Seasons Tea Caddy

This is a tin container designed for storing tea or coffee. The shapes of plum, peony, lotus, and chrysanthemum are added inside a long rectangular shape frame on the cylinder shape bottle. The flowers are sculpted classically, following the designs and patterns found in Chinese ceramics and wood crafts. As it is used daily, this container has a double lid to prevent moisture from entering. It is a product of Royal Selangor, which boasts a long tradition and a global reputation.

Exhibition Item

서울Bakelalan Reed and Bark Covered Box

Bakelalan Reed and Bark Covered Box

Bakelalan Reed and Bark Covered Box

Awarded as UNESCO-ASEAN Crafts Seal of Excellence, these traditional conical, double-layer reed and palm hats are made in Bakelalan Highlands of Sarawak. The hats are stored in a round bark container that is usually used for storage of food or other utilities such as letters, keys, etc. The creative teams of architect-designer Edric Ong and his associates have been pioneering new designs with traditional artists of Sarawak in the area of textiles, basketry, fibers, ceramics, wood, and stone. The focus has been on Eco-textiles: silk, ikat, natural dye, backstrap loom weaving, wood block, hand printed scarves, stoles, and wraps inspired by Sarawakian ethnic designs and motifs.

Exhibition Item

서울Pua Kumbu

Pua Kumbu

Pua Kumbu

The main design of this Pua Kumbu fabric, ‘Fireflies in the Rainforest,’ is a traditional pattern that can only be woven by master craftsmen in Sarawak, Malaysia, and takes a whole year to complete. From a distance, the intricate hooks or spiral patterns give an illusion of light made by fireflies. Iban weavers are known as ‘Dream Weavers,’ as it is traditionally told that these master weavers are given fabric patterns and motifs in dreams by ‘Kumang,’ the goddess of weaving. Pua Kumbu fabric has traditionally been used in important festivals and ceremonies in Iban longhouse communities.

Exhibition Item

서울Princess Carrying Hsun Ouk

Princess Carrying Hsun Ouk

Princess Carrying Hsun Ouk

It depicts a princess holding a Hsun Ok in her right hand and her robe with her left hand. It is a figure of a woman of high status with her hair tied high up and decorated with splendid ornaments. The Hsun Ok, held by the woman, is a lacquered offering vessel used by the Intha people of the Shan State in Myanmar in the ninth century. Hsun Ok is consisting of a body and a lid, and the upper part of the lid is shaped like a Buddhist pagoda.

Exhibition Item

서울Saung Gauk Myanmar Harp

Saung Gauk Myanmar Harp

Saung Gauk Myanmar Harp

The Saung Gauk, a traditional harp from Myanmar is played on the lap. It is a string instrument with an arched body parallel to the floor and a curved neck. Usually, sixteen strings are tied diagonally from the soundbox to the lower part of the neck. An arched harp-like Saung Gauk is a harp in which the neck part that supports the strings extends in a curved shape. Saung Gauk is the world’s only arched harp that has been played since the pre-modern era. During the Konbaung dynasty, the range and repertoire of Saung Gauk expanded and thus various performance styles appeared in the court chamber music.

Exhibition Item

서울Doll Lamp in Traditional "Maria Clara" Attire

Doll Lamp in Traditional Maria Clara Attire

Doll Lamp in Traditional "Maria Clara" Attire

The lamp is decorated in the traditional "Maria Clara" attire. The Maria Clara gown, historically known as the traje de mestiza during the Spanish colonial era, is a type of traditional dress worn by women in the Philippines. It is an aristocratic version of the baro’t saya (literally blouse and skirt). It takes its name from Maria Clara, the mestiza protagonist of the novel Noli Me Tangere, penned in 1887 by Filipino nationalist Dr. Jose Rizal. It is traditionally made from piña, the same material used for the barong tagalog. This lamp is a product of Kultura Filipino, a company known for creating souvenirs and everyday items to embrace Philippines heritage and support local communities.

Exhibition Item

서울Cordillera Fabic

Cordillera Fabic

Cordillera Fabic

Cordillera weaving is associated with design patterns that reflect agriculture and relevant beliefs or faith systems. Designs and shapes of V and X (tiktiko), diamond (matmata), flower (sopo), and butterfly (kulibangbang) are some of the traditional geometric designs and patterns of the Cordillera region. Meanwhile the popular colors of red, black, green, and yellow symbolize harvest and nature. As weaving was women’s work to do after farming, the Cordillera fabric and farming are very closely related.

Exhibition Item

서울Peranakan Nonya Ware

Peranakan Nonya Ware

Peranakan Nonya Ware

In Singapore the term Peranakan means 'locally born' and refers to a person of mixed Chinese and Malay/Indonesia heritage. Many trace their lineage back to 15th century Malacca where their ancestors were thought to be Chinese traders who married local women. In Singapore and Malaysia in particular, Perenakan women are called Nyonya and the porcelain they use is called Nyonyaware. The collection here includes a Peranakan lady’s ceramic box used to store cosmetic powder, a tiffin carrier for food and a food pot. The Peranakan culture is a key exemplification of Singapore’s multicultural history.

Exhibition Item

서울Singapore Lion City Plaque Wall Plate

Singapore Lion City Plaque Wall Plate

Singapore Lion City Plaque Wall Plate

This is a decorative plaque showing Singapore's symbol, the Merlion. The most important task for a newly emerged country like Singapore was the creation of a symbol that could represent the city’s history and myths at the same time. The symbol Merlion, an imaginary half-mermaid and half-lion, presides over both sea and land. It is created to represent the identity of fast-growing Singapore and at the same time, unite the people spiritually. Singapore has self-promoted itself to the Lion City and created parks with numerous Merlion statues, making itself a Merlion city. This commemorative plaque is also created to promote the lion legend in the history of Singapore, which has served as a unique and uniting symbol of the country.

Exhibition Item

서울Peranakan Shawl

Peranakan Shawl

Peranakan Shawl

This is a shawl woven in pink on a gray background. Peranakan women used this kind of shawl to shield themselves from the scorching tropical sun or the chill air at night times. The pink pattern is inspired by the flowers and leaves of tropical plants found in Singapore, and almost the same plant is repeatedly placed. The meticulously depicted flower buds, stems, and leaves show advanced weaving techniques.

Exhibition Item

서울"Dazzling Singapore" Knot Bag and Cushion Cover

Dazzling Singapore Knot Bag and Cushion Cover

"Dazzling Singapore" Knot Bag and Cushion Cover

Singapore’s pre-eminence as a sophisticated world city with a dazzling flora diversity is the culmination of the founding fathers’ vision, city planners’ leadership and creativity of industry talents. Hand-sketched native plants, including Singapore Kopsia, Dillenia excelsa, Hanguana Triangulata and others, represent the abundance of plant species found in the sunny island.

Exhibition Item

서울Kueh Tile Fabric

Kueh Tile Fabric

Kueh Tile Fabric

Printed on cotton poplin, these fabric designs have been inspired by Kueh, a bite-sized sweet or savory snack commonly found across Southeast Asia such as pineapple tart. A Singaporean brand Onlewo prints patterns that tell The stories of heritage, culture and places of Singapore that bind different identities together. These patterns symbolize their openness to collaborating in a multicultural context by renewing and reinventing.

Exhibition Item

서울Elephant Wooden Miniature

Elephant Wooden Miniature

Elephant Wooden Miniature

This is a miniature wood carving modeled after the elephant, which is recognized as Thailand's official national animal. Wooden elephant sculpture is often found in northern Thailand and it shows the beauty and simplicity of Thai culture. As a Buddhist country, the elephant is revered as a noble symbol in Thailand as Madam Maya, the mother of the Buddha, had a dream where a white elephant with six tusks entered her when she was pregnant.

Exhibition Item

서울Thon

Thon

Thon

This is a traditional Thai percussion instrument made by covering a goblet-shaped soundbox with leather. It is used in the Mahori ensemble performed in the Thai royal court. When playing the tone, the player places the instrument on the knee so that the end part of the soundbox faces outward. Then the player hits the drum surface with one hand and blocks or opens the soundbox with the other hand to adjust the tone. When playing two instruments, the player sits cross-legged and places the instrument under each knee with the drum parts facing outward, and plays by striking the drum with both hands. The goblet-shaped drum is widespread in the Middle East, and the influence of these instruments may have resulted in giving birth to the Thai tone. However, there is no definitive explanation regarding the origin or history of the Thon.

Exhibition Item

서울Saw U

Saw U

Saw U

Saw U is a Thai string instrument that produces low-pitched tones. The head is made of a large coconut shell. The exterior of the head is decorated in many ways, and the flat part is covered with goatskin or young cowhide. The body of the bow is made of wood or ivory, and the strings are made of silk. There are no records about the instrument before the twentieth century, and it is often assumed to be a modified version of a Chinese string instrument.

Exhibition Item

서울Indigo Fabric

Indigo Fabric

Indigo Fabric

Thai indigo fabric is made by cold-dyeing white cotton threads with a dark blue dye extracted from indigo plants. Indigo threads made through traditional dyeing techniques are woven into various patterns and designs. Indigo colors are mostly blue, and different colors of threads are occasionally used to add more color. Most of the indigo fabrics were produced in Sakon Nakhon province, where communities specialize in the craft of indigo dyeing.

Exhibition Item

서울Hoa Sen Lotus Plate

Hoa Sen Lotus Plate

Hoa Sen Lotus Plate

This is a plate decorated with a picture of a lotus flower with pale pink petals on a blue background. The simple yet intense color contrast makes the lotus flower stand out. Although not official, the Vietnamese people consider the lotus flower as the national flower, as this flower is seen to represent the national spirit of Viet Nam and its fight for its independence against China, France, Japan, and the United States for about a thousand years. Viet Nam Airlines, Viet Nam's national airline, chose the lotus flower as its official logo in 2002. In addition to the lotus flowers, dragons, cranes, bamboo, water buffalos, and tigers are also often used to represent the image of Viet Nam.

Exhibition Item

서울Vietnamese Lacquer Painting

Vietnamese Lacquer Painting

Vietnamese Lacquer Painting

This jewel box is a traditional Vietnamese lacquer painted box on a black background called Son Mai. The box is first lacquered in black and then a pavilion by the pond with lotus flowers are painted on the surface using the gold color. Lacquer techniques originated in prehistoric China and Japan, and Viet Nam has maintained a long tradition of lacquerware making. The lacquer used in Viet Nam is the processed sap from the lacquer tree. The lacquer enhances the durability of the products and helps to protect them from damage.

Exhibition Item

서울Water Puppetry

Water Puppetry

Water Puppetry

These are puppets used for Viet Nam's Mua Roi Nuoc, the world's only traditional water puppetry. Mua Roi Nuoc means 'a game that makes puppets dance on water' in Vietnamese. Water puppetry has been particularly adored by the Vietnamese thanks to its unique format and simple contents that have embodied the sorrows of the ordinary Vietnamese. As such, it has been inherited as the traditional entertainment by the rural communities. The puppets used in the play are not carved by professional sculptors but by the village members of each puppet troupe. Thus, the facial expressions of the puppets, depicted with a rough carving on the fig tree woods which is common in Viet Nam, are often simple and modest, capturing the faces of the Vietnamese people working in the rice fields.

Exhibition Item

서울Dong Son Bronze Drum

Dong Son Bronze Drum

Dong Son Bronze Drum

These are a miniature bronze and brass drums, two representative artifacts of the Southeast Asian bronze age culture. As these have been often excavated in the Dong Son area of northern Viet Nam, it is also called Dong Son Bronze Drum. Dong Son Bronze Drum, cast using the beeswax method, was developed in the Red River Delta basin in North Viet Nam around 600 BC. The Dong Son Bronze drums have been found in many parts of Southeast Asia, revealing trade routes between the kingdoms and their significance. It is assumed that the drums were used in various rituals, ceremonies, and in long-distance communication. Many are decorated with geometric patterns, and depictions of daily lives, wars, animals, birds, ships, and so on.

Exhibition Item

서울Lãnh Mỹ A

Lãnh Mỹ A

Lãnh Mỹ A

Lãnh Mỹ A is made by weaving the finest silk threads created with unique dyes made from the mặc nưa fruit. After being harvested and ground, the fruit produces a pitch-black color that is then mixed with water for dyeing. The silk is dyed and dried in the sun tens of times for a shining and durable product. Lãnh Mỹ A silk is woven using the satin technique—one of the most difficult weaving techniques. The unique glow and black color also give it the name, “Queen of the Vietnamese Silk”.